Exhibitions

Patricia Cronin: Army of Love

5 Sep - 25 Oct 2025 The 1969 profound discovery of a sacred temple in Knidos, Turkey by archaeologist Iris Love is the source of Cronin’s imagery and aesthetic choices. It once held a cult statue of the first monumental female nude — Praxiteles' Knidian Aphrodite (350 b.c.e.), since lost — which influenced every image of the goddess that was created and disseminated throughout the ancient world, many of them residing today in museums globally. Drawing art historical references from Praxiteles to Arte Povera, Cronin crafts two dimensional ethereal “sentinels” from materials such as oil, bleach, salt, marble paper and tarps. These evoke classical archetypes reimagined for today as they sometimes flutter and float free of their supports, dissolving boundaries between public and private, past and present. Centering female power, Army of Love challenges conventional ideas of heroism, replacing conquest with compassion, and reframing the idea of an “army” as a collective force for love, dignity, and care. Read more

SLOW BURN

Palma Blank, Jenny Zoe Casey, Christopher Dunlap, Nate Ethier and Stacy Fisher 13 Jun - 15 Aug 2025 Each artist engages in a methodical, deliberate process—structures evolve gradually, often through repetition, layering, and reduction. Palma Blank’s hard-edged, optical paintings juxtapose concepts of deep space and flatness, illusion and objecthood, the handmade and the machined. Jenny Zoe Casey’s tactile, material engagements—through domestic activities such as sewing, dyeing, and folding—become the language of her poetic, constructed forms. Christopher Dunlap explores the dynamic relationships between form, pattern, and perception. By layering simple shapes and complex structures, he builds a multiplicity of relationships that create spatial ambiguity and shifting depth. Nate Ethier builds visually regenerative compositions through layers of dense color and symmetry. His works are meditations on time, light, color, and human touch, constructed through rhythmic patterns and layers of hand-painted marks. Stacy Fisher’s work embodies a dynamic interplay between sculpture and painting, blending geometric structure with organic expression. Using oil on shaped wooden supports, her compositions prioritize physicality—enhancing visual impact through edges, shadows, and angles that shape the viewing experience as much as color or mark. Read more

PROJECTION 011 | Mitch Patrick & Ernesto Renda : Wayfinding

11 Apr - 31 May 2025 Patrick and Renda share an interest in how digital technologies shape human vision and perception. Their individual works address the image saturated condition articulated with deep rooted, specific non-traditional materialities. Through the creative misuse of utilitarian materials, Patrick and Renda explore the legibility of images, invented language systems, and embodied human perception. They probe at what it means to be a navigator and spectator of digital images, and operate as critically engaged cartographers of contemporary vision. Read more

Shona McAndrew: Secret Garden

11 Apr - 31 May 2025 In Secret Garden, McAndrew presents a significant evolution in her formal and conceptual practice. Her early work situated women within intimate indoor spaces, whose domestic environments served as a haven from external judgements and societal pressure. This afforded her subjects moments of private vulnerability and unguarded existence. In her new body of work, McAndrew dismantles these architectural boundaries, venturing into a fantasy realm. Each painting is set within a bucolic utopia which provides a sanctuary from our contemporary reality. Her subjects are unabashedly engaged with nature, in lush landscapes and amongst animated wildlife. Read more

Annette Hur : After Leaving, Before the End

21 Feb - 5 Apr 2025 The light dappled, mutable landscapes of Hur’s new paintings are an immersive metaphoric journey for the artist. In these works, she embodies the landscape, identifying with and moving through nature within the vacillating currents of an expansive ocean, the gravitational force of plunging waterfalls and the seductive pull of the distant moon. Hur’s turbulent personal history and her experience as a female immigrant navigating two cultures underpins her practice. These paintings document her journey of self-actualization. As the exhibition title suggests, they explore the space, “After Leaving, Before the End.” Read more

PROJECTION 010 | The Estate of Joshua Caleb Weibley: Game Transfer Phenomena

10 Jan - 15 Feb 2025 GTP shapes how one sizes up and evaluates the world similarly to the way commercial and critical art worlds do when one is immersed in them long enough. It is a subtle alteration of perception such that congruent forms — like sofas 69’d into the back of a moving van — reveal themselves and imagined sound effects seem to reward achievement. The exhibition employs GTP as a multivalent metaphor weaving shipping and storage logistics with desperate contortions under systemic duress. The crates are shown open and closed, empty and full, hiding or divulging their cargo. Read more