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WHITNEY OLDENBURG
Ticket to Paradise
November 3, 2023 - January 6, 2024 -
CHART is pleased to present Ticket to Paradise, a solo exhibition by Whitney Oldenburg. Featuring new sculptural works and drawings, this is Oldenburg’s first solo show in New York. The exhibition will open with a reception on Friday, November 3, from 6–8pm, and remain on view through January 6, 2024.
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Irresistibly unusual at first blush, Oldenburg’s works are often crafted from familiar ephemera, inspired by one’s relationship to everyday objects and the many hands that went into their making. Critical of capitalism’s spurious suggestion that a newly purchased item will serve as a salve for psychological strife, to say nothing of the immense waste generated in the process, Oldenburg transforms redundant objects into sculptural protests that embody the existential environmental and economic crises that pervade our present moment.
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Whitney Oldenburg
Feeding Frenzy, 2022
tickets, rock, wood, aluminum, resin, string, staples, helmets, ear plugs, cloth, zipper pulls, red yeast rice, glue mixture
72 x 96 x 18 in
$18,000
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Feeding Frenzy, created from thousands of token red tickets enmeshed in resin and assembled into writhing, churning tendrils, speaks to a gnawing psychological component of escapist consumption; even diversionary entertainment in the form of tourism, Hollywood, or screen time, comes with its own implicational consequences of exploitation, wastefulness, and distraction.
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In 1987, Barbara Kruger used the graphic phrase "I shop therefore I am" to implicate the consumer. While Whitney Oldenburg's sculptures are less explicit, they embody the phrase "I consume therefore I am."
Whether it's through breathing the air, taking medication, devouring entertainment, or being attached to a smartphone, Oldenburg speaks to the rampant consumption in contemporary society on a physiological, emotional, and psychological level. -
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Oldenburg's drawings are quick and contrast the elaborately built and carefully garnished sculptures. If one is looking to attribute references, they could be described as observational drawings depicting the organic material growing in the warm confines of a petri dish or as quicker versions of early Ellsworth Kelly drawings. But most simply look like material studies, investigations into basic abstract patterns and motifs that also resemble coral polyps. And, of course, the drawings, humming with invention, are also inspirations for Oldenburg's sculptures.
- Excerpt from Michelle Grabner's essay, "Whitney Oldenburg: Perpetually Adaptive"
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About the artist